outside the gallery

June 3, 2008, 4:26 pm
Filed under: Banksy

Banksy is a British graffiti artist whose identity is enigmatically debated and disputed. He uses stencils and graffiti writing to create his works, which have appeared in many cities around the world. These works are most often of a satirical nature, critiquing politics, culture and our postmodern world. Although Banksy primarily works in the street, his fame has lead him to the gallery, where his pieces sell for high prices. Such high profile works as his images on the West Bank wall have contributed to his rising fame.

In this piece, Banksy uses an existing window form to outline his faux-ATM. The ATM’s capture of the little girl mirrors her future as a consumer in a money-driven society. In this work, Banksy worked entirely from stencils.

This piece also involves children, and deals with the mistrust of all individuals in a highly monitored society. The preposterous nature of the young girl, with the teddy bear and little backpack, being frisked by the huge policeman highlights the problems Banksy sees in his society.

Banksy’s work also plays with how graffiti fits under the title of “Art,” as seen in the work above. While Banksy’s stencil is accepted as art, the writing on the wall (not by Banksy), is not. However, by adding his stencil to the wall, he questions the acceptance of his work and not the others.


Andy Goldsworthy
June 3, 2008, 11:28 am
Filed under: Andy Goldsworthy

Andy Goldsworthy (1956 – present) is a British sculptor who documents his work through photography. He works with nature to create site-specific sculptures and allows these works to stay in their intended setting until they have returned to a natural state. Although Goldsworthy uses photography as a tool to document his work, he feels that “the photographs leave the reason and spirit of the work outside. They are not the purpose but the result of [his] art.” Although he lives in Scotland, Goldsworthy travels throughout the world, exploring the relationship that an individual setting has on his art. He does not use outside tools or objects during the process of creating his art, substituting found materials like thorns and rocks to complete the work. His work is also shaped by his experience within a certain landscape; he does not arrive at his destination with an idea of what he will make.


In his Snowballs in Summer series, Goldsworthy makes large snowballs in winter and preserves them until the summer. Inside of each snowball, he “hides” different materials such as chalk, old pine needles, and dogwood [pictured above]. For this project, Goldsworthy is interested in how different snow melts, the patterns the materials inside will melt into, and the relationship between a city and the imposed natural form.

Sand, Earth, Peat, Horse chestnut leaves


Goldsworthy is also interested in the creation of what he calls “holes.” The interruption of natural materials creates a black space the Goldsworthy regards as “the earth’s flame – its energy.” These works vary in size and medium, but each interruption of space is powerful.